film directors

Japanese director Kore-eda brings Korean road trip drama to Cannes with ‘Broker’

Reuters
Japanese director Kore-eda brings Korean road trip drama to Cannes with ‘Broker’

The 75th Cannes Film Festival - Screening of the film "Broker" (Les bonnes etoiles) in competition - Red Carpet Arrivals - Cannes, France, May 26, 2022. Director Hirokazu Kore-eda and cast members Song Kang-Ho, Lee Joo-Young, Lee Ji-eun (known as IU) and Gang Dong-Won pose.

REUTERS/Sarah Meyssonnier

Hirokazu Kore-eda's all-star cast includes 'Parasite' actor Song Kang-ho and K-pop star IU

CANNES, France – Acclaimed Japanese director Hirokazu Kore-eda collaborated with an all-star Korean cast for his story of three crooks and a baby in Broker, which premiered Thursday, May 26 at the Cannes Film Festival in southern France.

Song Kang-ho, known for his role in Oscar-winning black comedy Parasite, plays one of a duo of crooks who steal an abandoned infant from a church’s ‘baby box’, intending to sell it on the black market.

But the plan meets a hitch when the baby’s mother goes to reclaim the child and winds up joining the pair on a road trip to find suitable parents, hoping to take her share of the money.

Kore-eda said the project originated in 2016 when a group of Korean actors he admired, including Song, said they wanted to make a movie together.

Kore-eda cast Korean pop star Lee Ji-eun, known as IU, to play the baby’s mother So-Young, a fugitive prostitute who resists her maternal instinct.

The unlikely trio ultimately find a family in each other – a running theme in the work of Kore-eda, who won the Cannes Palme d’Or in 2018 with Shoplifters and the jury prize in 2013 with Like Father, Like Son.

“The road trip was about the different characters searching for what they had lost and what they were missing… As they surround this baby, Woo-sung, through their journey they all start thinking about would be best for the baby’s happiness,” Kore-eda said in an interview with Reuters.

Casting the baby proved challenging because the pandemic forced him to rely on screenshots, Kore-eda said. But the infant actor provided spontaneous moments, such as by crying just as Song’s character Sang-hyun was about to sell him to a couple.

It seemed that the language barrier was broken not only between Japanese and Korean, but also with baby talk.

“I think it was the last scene, when the baby is looking at me, I had the impression he was saying, ‘Well, listen let’s stop shooting. We’ve done enough takes, let’s stop.'”, Song said. – Rappler.com