A Thousand Cuts - updates

Rappler's latest stories on A Thousand Cuts

ARTICLE FINDER

Rappler PLUS briefing: Philippine press freedom through the film lens

Mar 07, 2020 - 10:14 AM

Award-winning filmmaker Ramona Diaz will discuss the production of her film A Thousand Cuts with Rappler PLUS members

Will February be calmer? This week's outlook

Feb 04, 2020 - 3:45 PM

And so it is that all our hopes for a calmer February may have been dashed. What happened last month anyway that could impact the coming weeks?

In 'A Thousand Cuts,' filmmaker Ramona Diaz looks at the Philippines and beyond

Feb 01, 2020 - 10:00 AM

Her latest documentary tackles the rise of authoritarianism, disinformation, press freedom and – although she didn’t mean to – 'living in a space between the Philippines and the US'

SUNDANCE. Ramona Diaz introduces her film during its premiere at Sundance. Photo by Jovelle Tamayo/Sundance

Sundance 2020: Facebook, tech platforms incentivize polarization

Jan 28, 2020 - 8:01 AM

'We are your dystopian future. If we don’t fix this information ecosystem, if information warfare continues, we are being manipulated,' says Maria Ressa

Ramona Diaz's 'A Thousand Cuts': 'A risky film on free press, lawless regime'

Jan 26, 2020 - 2:30 PM

‘The film takes place in the Philippines but its central conflict, as you may imagine, reverberates far beyond that country’s border’

SUNDANCE PREMIERE. The documentary is screened at the Egyptian Theater. Photo by Rambo Talabong/Rappler

Barack, Michelle, and Julia Roberts: This week’s outlook

Dec 10, 2019 - 12:01 PM

There’s no breather in the newsroom this week. For one, the Obamas are in the neighborhood!

Ramona Diaz's documentary on Maria Ressa, Rappler to premiere at 2020 Sundance Film Festival

Dec 05, 2019 - 12:17 PM

'A Thousand Cuts' trails Rappler’s Maria Ressa and zooms in on the Philippines, where ‘the worldwide erosion of democracy, fueled by social media disinformation campaigns' is 'starkly evident'

PRESS FREEDOM. 'A Thousand Cuts' trails Rappler's Maria Ressa in a Philippines where the 'worldwide erosion of democracy, fueled by social media disinformation campaigns' is evident. Still from the film