Don Cuaresma’s 'Abay Babes' is a film that is never shy of where it sources its pleasures
'Nakalimutan Ko Nang Kalimutan Ka' is most delightful when it ridicules our inexplicable infatuation with heartaches
Movie critic Oggs Cruz gives his take on this year's entries
'NBA 2K19' continues to excel but microtransactions also continue to rule the day in online career modes
'The Hopeful Romantic' is actually smarter than it looks
All of the conflicts that the film tries to tie together are torturously generic
'Goyo: Ang Batang Heneral' cleverly avoids flattery, stripping the young general of all the myths that decades of misinformed idolatry have afforded him
Netlfix’s latest romantic comedy is a well-acted, vibrant take on high school identity, but isn’t as successful as a tale of teenage love
Insomniac’s take on Spider-Man is a complete and spectacular 'Spider-Man' experience. It’s fast, fluid, funny and stays true to the character
Sugary with discotheque beats and oozing with confidence, Ariana Grande’s 'Sweetener' sizzles as her most empowering, most dynamic album to date
'The Equalizer 2' is an even more peculiar actioner than its predecessor
There is enough sparkle in 'The Hows of Us' to wade over its unconvincing passages
The Irish boyband returns to the Philippines one more time before bidding goodbye
'Joyce Bernal’s remake is more a spotlight as to what kind of artist Geronimo has become'
'Hotel Transylvania 3' is just unabashedly silly
The Chicago-born rap star proves to be a dynamo performer in his first Philippine show, where he takes everyone to church.
'Crazy Rich Asians' is fabulously clever, writes film critic Oggs Cruz
'Balangiga: Howling Wilderness navigates its seemingly simple narrative around the very relevant tenuous relations the Philippines has with America'
Film critic Oggs Cruz reviews 'Signal Rock,' 'The Day After Valentine’s,' 'Unli Life, and 'We Will Not Die Tonight'
Movie critic Oggs Cruz gives us a lowdown on 'Ang Babaeng Allergic sa Wifi,' 'Bakwit Boys,' 'Madilim ang Gabi,' and 'Pinay Beauty'
With his solo debut, the former IV of Spades frontman says goodbye to disco and searches for identity in the sounds of psychedelic rock.
Simply put, 'Dito Lang Ako' just doesn’t belong in the cinemas
Movie critic Oggs Cruz gives his take on this year's Cinemalaya films
'Orange is the New Black' has always been about juggling different characters, storylines, and backstories
The Department of Education says its review will strengthen '21st century skills,' such as information and media literacy, communication skills, and life skills are developed across all subjects and grade levels
'Christopher Robin' isn't a film that will shake the world
Sure, it is simple and its twist can be predicted a mile away, but even those criticisms, it gamely acknowledges by plugging the hole with punchlines about them
'Harry & Patty', already busy as it is with its protagonists struggle to prove to everybody that they are indeed a match, riddles itself with other concerns
'BuyBust' is a film that shines because of its details
The film’s sense of humor doesn’t really require a lot of thinking
'Fallout' is perhaps the culmination of Cruise’s career as an action star
The film is reprehensible not because it is biased but because it is irresponsible in pushing for its biases
The quad-camera-sporting Huawei Nova 3i launches on July 28 at the starting price of P15,990
The problem of Thurber’s movie is not that it’s stupid
'I Love You, Hater' is still a creature of formula but its charm makes it hard to hate
While the P20 doesn’t have the triple-camera setup of the P20 Pro, it’s still capable of shooting high-quality images packed with plenty of detail
'Ant-Man and the Wasp' pushes forward by sheer humor and audacity
'Jose Javier Reyes seems to be the perfect person to offer the delayed retort to all the millennial gripes that have bombarded Philippine cinema. Sadly, Walwal isn’t that film.'
'The film fails to escape the shallowness of its brightest idea'
‘Loving Pablo’ diangkat dari buku ‘Loving Pablo, Hating Escobar’
'Hereditary' is simply a rare feat of intelligent, vigorous and purposeful filmmaking